A Documentary Film
by Paul Lamarre and Melissa P. Wolf
The narrative
An “oral history” of the 1990’s arts funding “culture wars"—increasingly worthy of preservation. There are 54 voices in the 60 minute film, edited from 300 interviews recorded across the US from 1995 to 2001. The film tells the story of diverse arts community support for America’s federally funded arts and humanities. It was the mandate of this film that this passionate oral and visual history be documented and retained. That said, this film provides an engaging platform for debate.
"This is a pretty good government that can fund its dissenters, that has the self-assurance to know that all voices can be heard in a democratic society."
Tim Robbins, actor / director, as quoted in “the nea tapes"
"It was frustrating.. I recognized pretty early on (that) it was a political game, maybe not in the first year but once I had gotten some response from some congressman on both sides of the aisle that said; Oh yes don't worry I am with you, but then they didn't vote with me. Then I realize there was something else going on."
Jane Alexander Chairperson of the NEA 1993 –1997, as quoted in "the nea tapes "
Reactions to the film
"... It's just really incredible; and so important, and so necessary. Thank you for working so hard to liberate and save something that we all hold so dear."
Barbara Kopple, filmmaker (director/producer of "Harlan County" winner Academy Award, 1976 for best documentary),
speaking about "the nea tapes"
"the nea tapes...wonderful...I think Paul and Melissa did a splendid job. I was quite amazed at how many different points of view were expressed."
Jane Alexander speaking about "the nea tapes"
Increasingly we are told that the " the nea tapes " is being used by faculty and librarians from many differing disciplines for their own research on the culture wars, the history of funding for culture and censorship. Also, numerous faculty and librarians have informed us that since the film bridges many disciplines, colleges have been able to resource different departments for funds for a purchase or visiting artist presentation.
" the nea tapes," as a work in progress, has been screened in the Halls of the US Congress; at the College Art Association and broadcast on John Pierson's "Split Screen" show on Bravo and on the Independent Film Channel.
" the nea tapes " provides the back story from the formation of the National Endowment for the Arts in 1965, through the battles over suppressed speech in the 1990's, to why censorship is escalating. It is a story about the capacity of individuals to actuate change through dialogue. The plethora of opinions expressed in the 300 interviews present a multicultural, demographic overview of the subjects at hand. While framing the funding of ART within the context of free speech, the film documents how censorship effects not just the contemporary artist, but society at large. Lastly, " the nea tapes " makes this complicated subject understandable and assessable by using personal stories of individuals to delineate the diversity of culture by example.
The filmmakers, Paul Lamarre and Melissa Wolf traveled across the USA documenting and discovering (through 300 interviews) the major events and players in this conflict: Robert Mapplethorpe, Andres Serrano, Karen Finley, and the story surrounding the Brooklyn Museum and the Mayor of New York City. The "right wing" is also heard from; including Martin Mawyer, director of the "Christian Action Network" as interviewed while presenting a "degenerate art show" in the Halls of Congress. This is the story of two artists looking for the democracy and free expression through the diversity of culture.
" the nea tapes " (2001) is particularly applicable for students and faculty interested in: the fine arts, art history, interdisciplinary studies, sociology, communications, government, cultural studies, performance studies, journalism, media studies, gender studies, museum studies, political science and first amendment law. This one hour documentary can be presented in various ways: as private or public screening; with panel discussion; or to individual classes. The film can be used as a catalyst to activate, inform, inspire, and challenge students on the issues of arts funding and censorship in America.
Also participating in " the nea tapes " are: the actors, Tim Robbins and Ed Asner; professor of linguistics at MIT, Noam Chomsky; attorney for the Brooklyn Museum, Floyd Abrams; playwright, Edward Albee; actor and former chair of the NEA, Jane Alexander; the artists - Chuck Close, Douglas Davis, Karen Finley, Andres Serrano, Kiki Smith, Fred Wilson; the late US Representative Sidney R. Yates, and many others, including Charlie R. Braxton; poet / playwright; Jackson, Mississippi.
Chronology 1995 to 2000 the nea tapes documentary and archive
April 2000 - The Independent Film & Video Monthly, article by Ken Miller, “Witness For The Defense: The NEA Tapes.”
March 9-12, 2000 - screening and panel at ASU - Arizona State University, Tempe Performance Studies International (PSi 2000) Conference, Panelists: Tanya Augsburg Ph.D., bachelor of Interdisciplinary Studies Program, ASU, moderator; eidia, Paul Lamarre/Melissa Wolf, directors, the nea tapes; Tim Miller, performance artist, founding director, Highways, Los Angeles; David Olsen, Department of Communication, Cal State, Los Angeles and Sheree Rose, performance artist, Los Angeles.
February 26, 2000 - screening and panel at College Art Association Conference, New York City sponsored by National Coalition Against Censorship. Panelists: Maxwell Anderson, director of the Whitney Museum of American Art; Ronald Feldman, Ronald Feldman Fine Arts (moderator); Alan J. Friedman, chair, Cultural Institutions Group & director, NY Hall of Science; Valerie Jaudon, artist, New York City; and Mary Miss, artist, New York City.
February, 2000 - Zingmagazine, “Framing Aesthetic Research” article by Tanya Augsburg, about the the nea tapes.
December 4-11, 1999 - screening at Millennium’s Neighborhood, Judson Church, New York City.
December 9, 1999 - screening and panel at at the New York Society Ethical Culture, co-sponsored by New York Civil Liberties Union, The Nation magazine, National Coalition Against Censorship, and People for the American Way. Opening remarks - Norman Siegel, director New York Civil Liberties Union; Panelists: Arthur Eisenberg, legal director NYCLU; Katha Pollitt, columnist Nation Magazine; Christopher Durang, playwright; and Ted Berger, director New York Foundation for the Arts.
November 11,1999 - San Antonio Current, “NEA-Saying On Tape,”an article by Steven G. Kellman reviewing the nea tapes screening in San Antonio, Texas.
October 15, 1999 - screening at Finesilver Gallery, San Antonio, Texas.
September 22, 1999 - screening in The Capitol Building Washington D.C., with introduction by US Representative Jerrold Nadler.
September 24, 1999 - a screening at Filmmakers Collaborative New York City.
September 18, 1999 - screening at MOXIE! the Santa Monica Film Festival, in cooperation with ARTS/LA, Bergamot Station Arts Center, Santa Monica, California.
August 1998 - a six minute section the nea tapes (work in progress) was broadcast twice on Bravo and the Independent Film Channel; John Pierson’s Split Screen show, (reaching 16 million homes).
January 1998 - the nea tapes (a work in progress) awarded the Soros Documentary Fund Fellowship.
November 12, 1997 - Lecture and the nea tapes documentary (a work in progress #4) screening at Oberwelt e.v. Gallery in Stuttgart, Germany.
November 7 - 30, 1997 - the nea tapes documentary and Eidia House Installation at Peripherie Gallery at Sudhaus, Tübingen, Germany.
October 27, 1997 - the nea tapes documentary (a work in progress #4) screened at the Newhouse Center for Contemporary Art Snug Harbor by the Cultural Council on the Arts & Humanities for Staten Island. Candidates for Staten Island’s Congressional District; Vito Fossella and Eric Vitaliano, were invited to state their position on continued federal funding for the arts.
July 1997 - the nea tapes documentary (a work in progress #4) screened at Clocktower, Institute for Art and Urban Resources presented by P.S. 1 Contemporary Arts Center.
May 1997 - Article about the nea tapes in Swiss Newspaper “Neue Zürcher Zeitung.” The nea tapes at Art Exchange in digital Kiosk, courtesy Zingmagazine.
April / May 1997 - the nea tapes (a work in progress #3) airs on Free Speech Television –31 cable stations, 31 states to 8 million homes.
April 1997 - The exhibitionist magazine; “Assassination of the NEA or the Following is Not Funded by the NEA” by Paul Lamarre and Melissa Wolf; the nea tapes interviews transcribed as feature article.
February 1997 - “The nea papers” by Paul Lamarre and Melissa Wolf; published in Zingmagazine.
December 1996 - The New York Kunsthalle, screening of the nea tapes (Work in Progress, #1, #2, #3).
September 1996 - The nea tapes (a work in progress #3) submitted to Congress.
August 1996 - The Independent Film & Video Monthly, volume 19 number 7, article: “CREATING TOOLS FOR THE CULTURE WARS, the nea tapes and Artistic Freedom Under Attack”.
April, 1996 - “National Endowment for the Arts Rescue Plan” article, about the nea tapes in Flash Art International art magazine.
April 25, 1996 - Paul Lamarre and Melissa Wolf participate in “The Artist as Legislator”, A Town Hall Meeting sponsored by Movement Research and the Office of Manhattan Borough President, Ruth Messinger.
April 16, 1996 - Paul Lamarre and Melissa Wolf participate in “Money for Art”, Panel discussion at Judson Church sponsored by PS 122.
March 1996 - Airing of the first the nea tapes Public Service Announcement.
January 10, 1996 - the nea tapes (a work in progress) presented at “Cyber Suds” a multi-monitor screening at the Technology Center, 55 Broad, NYC. Organized by Rudin Management Corporation.
December 8, 1995 - Panel discussion, screening of the nea tapes (a work in progress #2) at PaceWildenstein Gallery, “WHY VOTE,” sponsored by 3rdWAVE, the Panelist were; Farai Chideya, Chuck Close, Bill T. Jones, Thelma Golden and Paul Lamarre.
November 25 & 26, 1995 - Filming of Public Service Announcement, 25 interviews conducted outside four New York City museums with the “man on the street”.
October 6-8, 1995 - the nea tapes (a work in progress #1 & #2) screened during the SOHO ARTS FESTIVAL, “The New Role of the Individual Artist and Politics,” at Holly Solomon Gallery, Printed Matter, Swiss Institute, Cristinerose Gallery, Thread Waxing Space and Lombard / Freid Fine Arts. Five hundred individuals sign a petition lending their names in support of the NEA, NEH, and IMS.
September 29, 1995 - the nea tapes (a work in progress #2) presented at the New School for Social Research in meeting with Advisory Committee of the Vera List Center for Art+Politics.
September 26, 1995 - Symposium: at the School of Visual Arts,”The Escalating War on Culture: the NEA, the Artist, and the Government”, including the nea tapes (a work in progress #2) and panelists Roger Kimball, Elaine King, Joseph Kosuth, Carole S. Vance, Suzanne Anker.
September 8, 1995 - Symposium: at the New York Kunsthalle, the nea tapes / EUROPEAN INFLUENCES. An 18 person panel of participants from Europe and the nea tapes (a work in progress #2)
July 12, 1995 - Symposium with the nea tapes, “The New Role of the Individual Artist in American Society”, at the Pollock-Krasner House, East Hampton with participants: Suzanne Anker, Sandra Edwards, Helen Harrison, Valerie Jaudon, Richard Kalina, Chris Kohan, Trudy C. Kramer, Paul Lamarre, Ron Morosan, Roy Nicholson, Jesse Rhines, and Melissa Wolf.
May 1995 - the nea tapes receives sponsorship from the New York Foundation for the Arts. The first benefit and screening of the nea tapes (a work in progress #1) is held at Lombard / Fried Fine Arts.
January 1995 - Beginning of the nea tapes; 43 individuals in the arts (New York City) are interviewed discussing the current arts funding crisis.
Participants interviewed for the film (video documentation) the nea tapes Documentary & Archive January 1995 to 2001
Edward Albee - Writer
J.B. Allen - cowboy / poet, Whiteface, Texas
Jane Alexander - Actress / Former Director of the National Endowment For the Arts
Gregory Amenoff - Artist / Educator
Grimanesa Amoros - Artist
Suzanne Anker - Artist / Educator
Bill Arning - Director, White Columns
Anne Arrasmith - Artist / Co-director and Founder of Space One Eleven, Birmingham, Alabama
Edward Asner - Actor
Marilyn Andrews - Accountant, Amana Iowa
Director, The Robert Sterling Clark Foundation
Josh Baer - Art Dealer / Publisher
Tanya Augsburg - Performance Art Scholar, Arizona State University
Margaret C. Ayers - Executive
Kenneth Baker - Art Critic, The San Francisco Chronicle
Jennifer D, Bates - Basketweaver, Chairperson, California Indian Basketweavers Association
Gabriele Becker - Program Director, Goethe House
Lynda Benglis - Artist / Educator
Amir Bey - Artist / Curator
Michael Blackwood - Film Maker
Holly Block - Executive Director, Art in General
Maryanna Bock - Artist & Licensed Clinical Social Worker, Portland, Maine
Charlie R. Braxton - Poet / Playwright, Hattiesburg, Mississippi
Ellen Brooks - Photographer / Educator
Wayne Rocand Brown - Musician / Nashville, Tennessee
Robert T. Buck - Former Director, Brooklyn Museum
Mary Carpelan - Basketweaver/ Shasta- Cohiulla, California Indian Basketweavers Association
Schuyler G. Chapin - Commissioner, City of New York, Department of Cultural Affairs
Chuck Close - Artist
Farai Chideya - Author
June Choi - Executive Director, Asian American Arts Alliance
Noam Chomsky - Professor of Linguistics and Philosophy, MIT
Cecilia Clarke - Executive Director, Skowhegan School of Painting and Sculpture
Andrei Codrescu - Writer / Editor of Exquisite Corpse, New
Orleans, Louisiana Vernita N. Cognita - Artist
David Cole - Professor of Law, Georgetown University Law Center
Esperanza Cortes - Artist
Anna Sue Courtney - Puppeteer, Huntsville, Alabama
Emilio Cruz - Artist / Educator / Musician
James Cryer - Writer, Chapel Hill, North Carolina
Arthur C. Danto - Writer, Critic
Douglas Davis - Artist / Educator / Writer
Lisa Corinne Davis - Artist / Educator
David Dean - Director, Printed Matter
Jane Delgado - Executive Director, Bronx Museum
Kathie deNobriga - Co-director / Alternate Roots, Atlanta, Georgia
Andre Dekker - Artist, The Netherlands
Donna De Salvo - Curator at Large, Wexner Center for the Arts
Jenny Dixon - Director, Lower Manhattan Cultural Council
Nicholas Drake - Disabled Person / Artist / Writer, Charleston, South Carolina Rev.
Priscilla Dreyman - Executive Director, Spiral Arts, Inc., Portland, Maine
Sandra Edwards - President, Childesign, East Hampton, New York
Arthur Eisenberg - Legal Director, New York Civil Liberties Union
Gail Elston - Lawyer for the Arts
Shannah Ehrhart - Assist. Director Visual Arts, Snug Harbor,Staten Island, New York
Helene Erenberg - Marketing Director / Theatre in the Square, Cobb County, Georgia
Jonathan F. Fanton - President, The New School for Social Research
Carol L. Farrell - Co-Artistic Director, Figure of Speech Theatre, Portland, Maine
John J. Farrell - Co-Artistic Director, Figure of Speech Theatre, Portland, Maine
Jane Farver - Director of Exhibitions, Queens Museum of Art
Richard Feigen -Owner/Director,Richard Feigen Co.
Ronald Feldman - Owner / Director,Ronald Feldman Fine Arts Inc.
Peter Fend - Artist / Architect
William Ferris - Director / Center For the Study of Southern Culture, Oxford Mississippi
Tom Finkelpearl - Executive Director of Program, Skowhegan School of Painting and Sculpture
Karen Finley - Performance Artist
Janet Fish - Artist
Dana Fleming - Arts Administrator, Blountsville, Alabama
Radney Foster - Singer / Songwriter, Nashville. Tennessee
Allen Frame - Artist / Educator
Susan K. Freedman - President, Public Art Fund
Lea Freid - Director, Lombard / Freid Fine Arts
Rose Gatens - Historian, Nashville, Tennessee
Olivia Georgia - Director of Visual Arts, Snug Harbor Cultural Center
Michel Gerard - Artist
Stefan Gerard - Founder, Gen Art
Sandra Gering - Owner, Sandra Gering Gallery
Sieglinde Geisel - Cultural Correspondent, Neue Zürcher Zeitung
Frank Gillette - Artist / Educator
Judy Glantzman - Artist
Thelma Golden - Associate Curator, The Whitney Museum of American
Bernard Goodman - Artist
Claudia Gould - Director, Artists Space
Alexander Gray - Director, Art Matters
Agnes Gund - President, Museum of Modern Art
Helen Harrison - Director, Pollock-Krasner House and Study Center
Jeanne Hedstrom - Artist
Betty-Sue Hertz - Director, Longwood Arts Project, Bronx, New York
Kathy High - Video Artist / Editor, "Felix"
Art Leon Golub - Artist
Clark L. Holt - Artist, Birmingham, Alabama
Eleanor Heartney - Writer
Anthony Haden-Guest - Journalist
Budd Hopkins - Artist
Richard Howorth - Bookseller / Square Books, Oxford, Mississippi
Valerie Jaudon - Artist
Thomas P. Johnson - Producing Director , The Old Creamery Theater, Amana Iowa
Kim Jones - Artist
Thomas W. Jones II - Artistic Director / Jomandi Productions, Inc., Atlanta, Georgia
Richard Kalina - Artist
Alex Katz - Artist
Jason Edward Kaufman - Journalist
Elaine A. King - Author & Associate Professor, Carnegie Mellon University
Joan Jonas - Artist / Educator
Susan Kleinberg - Artist
Komar & Melamid - Artists
Ron Kuby - Lawyer, Civil Liberties
Zoya Kocur - Artist / Educator
Christopher Kohan - President, Art Barge School
Tony Korner - Publisher, Artforum
Trudy C. Kramer - Director, The Parrish Art Museum
Martin Kunz - Director, New York Kunsthalle Donald Kuspit - Historian, Critic
Corky Lee - Photographer
Sali Ann Kriegsman - Former Executive Director, Jacobs Pillow
Jeff McMahon - Artist / Educator
John M. McCann - Consultant / The Bay Group, Washington DC
Ruby Lerner - Executive Director, Association of Independent Video and Filmmakers
Diane Lewis - Architect
Larry Litt - Writer / Performer
Martin Mawyer - founder, Christian Action Network
Robert MacNeil - Writer
Margaret Mathews-Berenson - Curator / Educator
Jeff McMahon - Artist
Bradley McCallum - Artist in Residence, New York Civil Liberties Union
Mark Mazur - Student, Birmingham, Alabama
Jonas Mekas - Film maker / Director, Anthology Film Archives
Klaus Metzser - Theatre Director, Sud House Tubingen, Germany
Mark Crispin Miller - Professor, Media Studies New York University
Mary Miss - Artist
David Moos - Curator, Edwin A. Ulrich Museum of Art, Wichita, Kansas
Robert C. Morgan - Educator
Ron Morosan - Artist
Marilyn Murphy - Artist / Assoc. Professor of Art, Vanderbilt University, Nashville, Tennessee
Patrick T. Murphy - Director, Institute of Contemporary Art, University of Pennsylvania, Philadelphia
Jerrold Nadler - U.S. Representative
Linda D.Navarro - Basketweaver/ Shasta- Cohiulla, California Indian Basketweavers Association
Victor Navasky - Publisher / Editorial Director, The Nation. Roy Nicholson - Artist
James Nicola - Artistic Director, New York Theatre Workshop
Frank Ondeman - Photographer, The Netherlands
Phyllis O'Neill - Executive Director, Portland Performing Arts, Maine
Nam June Paik - Artist / Educator
Thomas I. Palley - Educator
Charles Parnes - Artist
Martin Paschall - Band Director / Henry County High School, Paris, Tennessee
Barbara A.B. Patterson - Professor / Priest, Emory University, Atlanta, Georgia
Lucio Pozzi - Artist
Edward Rashti - M.D. Houston Texas
Nancy Princenthal - Writer
Michael Rafkin - Artistic Director, Mad Horse Theatre, Portland Maine
Carter Ratcliff - Poet / Art Critic
Megan Ratner - Writer
Ruud Reutelingsperger - Artist, The Netherlands Jesse Rhines - Film Maker / Educator
Frank Rich - Op-Ed Columnist, New York Times
Lois S. Riggins-Ezzell - Executive Director, Tennessee State Museum, Nashville Tennessee
Robert Rindler - Dean, School of Art The Cooper Union Walter Robinson - Artist / Writer
Geno Rodriguez - Director, Alternative Museum Stephen F. Rohde - Attorney, President A C L U of Southern California
Elizabeth Rogers - Independent Curator / Historian
Tim Rollins & K.O.S. - Educator / Artists Jonathan
Martin Rosen - Artist
Rachel Rosenthal - Director, Rachel Rosenthal Company, Los Angeles,CA.
Andrew Ross - Director American Studies, New York University
David A. Ross - Director, San Francisco Museum of Modern Art
Catherine Saalfield - Video Maker / Writer / Aids Activist
Don E. Saliers - Professor of Theology / Director, M.S.M. Program, Emory University, Atlanta, Georgia
Nancy Salmon - Arts and Education Associate, Maine Arts Commission Juan Sanchez - Artist
Pauline Stella Sanchez - Faculty, Art Center Collage of Design,Los Angeles, CA.
Stephan Salisbury - Staff Writer, Philadelphia Inquirer
Ellen Salpeter - Director, Thread Waxing Space Hope Sandrow - Artist
Cal Scaggs - Film Maker
Gene Searchinger - Film Maker
Andres Serrano - Artist
Michael Shaughnessy - Artist, Educator, Parent, Portland, Maine
Cynthia Shearer - Curator / Rowan Oak, Home of William Faulkner, Oxford, Mississippi
Patterson Sims - Deputy Director for Education and Research Support, Museum of Modern Art
Forrester C. Smith - Writer and Fundraiser Kiki Smith - Artist
John T. Smith II - Art Teacher, Birmingham, Alabama
Holly Solomon - Owner, Holly Solomon Gallery
Jeannette Sorrell - Music Director, Apollo's Fire, The Cleveland Baroque Orchestra, Cleveland, OH.
Buzz Spector - Artist and Professor of Art Nancy Spero - Artist
Wendy Steiner - Chairman, Department of English, University of Pennsylvania
Martha Stotzky - Curator of Education, The Parrish Art Museum
Sean Strub - President, Strubco / Founder, POZ Magazine Carol Sun - Artist
Mary Swift - Managing Editor Washington Review
Judith Tannenbaum - Associate Director & Curator, Institute of Contemporary Art, Philadelphia
Simon Taylor - Art Critic, Writer
Marina Temkina - Poet
Rev. Kenneth O. Turley - Minister, Swendenborgian Church, Maine
Lisa Tuttle - Artist / Curator, Co-Artistic Director / Arts Festival of Atlanta
Geert VanDe Camp - Artist, The Netherlands
Jess Marie Walker - Interdisciplinary Artist, Birmingham, Alabama
Kathy Wallace - Basketweaver, Board Member California Indian Basketweavers Association
Joan Waltemath - Artist
Tom Warren - Artist
John Weber - Art Dealer
David C. Webster - Executive Director, Very Special Arts Maine
Marianne Weems - Theater Director, President of Art Matters
M.K.Wegmann - Managing Director, Junebug Productions, New Orleans, Louisiana
Lawrence Weiner - Artist
Lawrence Wells - Writer / Publisher Yoknapatawpha Press, Oxford, Mississippi
Palmer D. Wells - Managing Director / Theatre in the Square, Cobb County, Georgia
Betty Wilde - Associate Director, En Foco
Elizabeth Williams - Theatrical Producer
Helene Winer - Owner / Director, Metro Pictures Gallery
Alden C. Wilson - Director Maine Arts Commission
David White - Director, Dance Theater Workshop
Andy Wilkinson - Writer, Lubbock Texas
Carlton Wilkinson - Photographer, Nashville, Tennessee
Martha Wilson - Director, Franklin Furnace
Fred Wilson - Artist and Educator
Dayton Wright - Artist / Jamestown, Tennessee
Susan Wyatt - Executive Director, Citizen Exchange Council / International Partners
Sidney R. Yates - U.S. Representative
Philip Yenawine - Educator / Author
Reviewed on Educational Media Reviews Online
A sampling of the 200 institutions (nearly all 50 States) that have acquired THE NEA TAPES
UNIVERSITY Acquisition
Arizona State University, Brown University, Buffalo State, Carnegie Mellon University, Columbia University, Cornell University, DePaul University, Duke University, Emory University, Florida State University, George Mason University, Georgia State University, Harvard University, Henderson State University, Indiana University System, James Madison University, Louisiana State University, Marquette University-Milwaukee, Morehead State University Kentucky, New Mexico State University, New York University, Northwestern University, Ohio State University, Oklahoma State University, Oregon State University, Penn State, Princeton University, Roosevelt University, Seattle University, Simon Fraser University, Stanford University, Texas State University, the University of Texas System, Texas Tech University, University of Alabama Tuscaloosa, University of Chicago, University of Cincinnati, University of Colorado-Denver, University of Delaware, University of Georgia-Athens, University of Idaho, University of Iowa-Iowa City, University of Kansas, University of Kentucky, University of Maryland, University of Minnesota, University of Mississippi, University of Nebraska-Lincoln, University of Nevada-Reno, University of New Hampshire, University of New Mexico, University of New Orleans, University of Notre Dame, Nova Scotia College of Art and Design University, Halifax, Canada, University of Oregon, University of Pennsylvania, University of Tennessee Knoxville, University of Virginia, University of Washington, Wayne State University, West Virginia University, William Paterson College of New Jersey, Xavier University, Yale University…
COLLEGE and ART INSTITUTES Acquisition
Alberta College of Art & Design, Amherst College, Art Center College of Design-Pasadena, Art Institute of Atlanta, Art Institute of Chicago, Cincinnati Contemporary Art Center, Cleveland Institute of Art/Case Western Reserve, Columbia College-Chicago, Connecticut College, Cornell University, Cooper Union-NYC, Dartmouth College, Kansas City Art Institute, Maryland Institute College of Art, Parsons School of Design / The New School University, Reed College, Rhode Island School of Design, Sarah Lawrence College, School of Visual Arts-NYC, Smith College, Skidmore College, Swarthmore College, Vassar College, Wellesley College, Wexner Center for the Arts.